Super Deluxe leaves you with thoughts – about life, our existence, the perception of normalcy and questions over what is considered right (or wrong)
Greatness of Director Thiagarajan Kumararaja, who garnered towering praise for his debut film Aaranya Kaandam, was well-known. His second film Super Deluxe is beyond greatness. It’s blissful and enlightening. After a thrilling and exceptional neo-noir gangster movie like Aaranya Kaandam, Thiagarajan has taken several leaps forward since then and there’s an unprecedented masterclass shown by him through his latest film. Super Deluxe leaves you with thoughts – about life, our existence, the perception of normalcy and questions over what is considered right (or wrong).
Super Deluxe has three disconnected stories (Not to forget that it is powered by super-stylish background score of Yuvan Shankar Raja). When I say disconnected, it means that they have no real dependence on one another and the events in each of those stories are taking place without any relation to the other. But somehow their worlds collide at some point and alter the lives of characters involved completely. There’s a lot happening in these stories that keep you on your edges throughout the movie. A small kid named Rasukutty (Ashwanth Ashokkumar), in the first story, is excited to see his father returning home after several years. And when his father returns, he is, now, revealed to be a transwoman named Shilpa (Vijay Sethupathi) which leaves his wife Jyothi (Gayathrie’s dejected and shocked countenance in this role moves you) in utter shock. The second story shows a group of teenage boys adroitly planning for a movie time together. Why is planning required in the first place just to watch a movie? They are planning to watch a porn movie and revel in sexual pleasures that they will obtain from it. The ultimate revelation as they play the movie on television is that the actress turns out to be one of the boys’ mother. The third story shows that Vaembu (Samantha Akkineni) has slept with her ex-boyfriend in her home and he has died just after the sex. While she is frozen with horror, she looks out from her window and sees that her husband Mugilan (Fahadh Faasil) is returning home on his motorcycle. The intriguing start to all of these three stories sets the wheels turning right from the incipient stage. The film never allows you to slip into a train of thoughts and its interesting turn of events keeps you engrossed throughout.
The entire first half of the movie is evenly mixed with both the seriousness and the humour. It is only in the second half that the gravity of those grave situations starts to overpower the hilarity attached to them. Take the case of transwoman Shilpa (Vijay Sethupathi has outstandingly shed his masculine nature and has lent a terrific performance). It is hilarious when Rasukutty repeatedly runs to the door to see if his father has arrived. And when he does arrive, Rasukutty’s grandfather, funnily, due to his old age, has no clue who that is. Even though Rasukutty accepts his father for what he is now, the outside world has not welcomed Shilpa with open arms. Shilpa is sexually abused by a police officer Berlin (Bagavathi Perumal is amazing in this character) and even mocked at by school children (A direct potshot at the importance of sex education for children). In another story, there are comedic instances where Vaembu openly confesses that she had intercourse with the man who died immediately after sex and her husband Mugilan tries to take a look at dead man’s penis to figure out if that’s the difference between him and the dead man. Later, a threat from police officer Berlin and his demand for intercourse with Vaembu makes you uncomfortable. In the story involving the teenage boys, their meet up with the boss of goons and their pursuit of money remains one of the most side-splitting instances in the film. But one of the boys is admitted in a hospital and it’s agonising to see his mother Leela (Ramya Krishnan), a former porn actress, begging to Doctor to start the surgery. It shows the horrifying reality of some of the hospitals taking no interest in saving lives but to rake in money. The situation gets worsened when Arputham (Mysskin), the religious and superstitious father of the dying boy, takes his son to his place of worship in the hope of saving his life (You really get annoyed by this superstitious Arputham character. That’s how well this character is written).
I was mesmerised by the camera work and the detailed shots. Shots captured using still camera were phenomenal (As Shilpa is strolling along the street with Rasukutty, in one scene, the colourful posters on the wall makes up for a picturesque shot). Sometimes, the background scenes play important role in defining a moment and even explain so much about the situation a character is in (Rasukutty suddenly gets lost and Shilpa frantically searches about the street. At this instant, we see ‘Real World, Magic Event’ scribbled on a wall). Even the depiction of life in different forms enthrals you. No matter how much trouble you are in, there is a life beyond your purview which keeps moving (Vaembu and Mugilan are caught in a complicated situation. A dead man is kept inside their refrigerator. Some guests are sitting in their living room. Amidst all this, the camera closely focuses on the ants busily crawling up the wall).
With the representation of lust, infidelity, extraterrestrial life, superstition, sexual abuse, sex education, dejection, merriment, harsh reality and everything in between, Super Deluxe has a much bigger thing to convey. And in what style! The teenage boys go to a cinema hall to watch a porn movie called ‘Super Deluxe’ and it’s through this adult film, we get to look at a much bigger picture of life as a guy narrates in a preachy and quirky tone. This is a film where Thiagarajan questions what is considered a ‘normal’ life and what should be done (or not to be done) so as to be accepted by society. We get to realise that we all are one. This is one world. Super Deluxe is the greatest Tamil-language Indian film I have ever witnessed. I can even go on to say that it is one of the best films of all time.