‘Nerkonda Paarvai’ Movie Review: A riveting film on consensual sex with a bit of heroism

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Source: Zee Music South | YouTube

Nerkonda Paarvai is a perfect remake of Pink that is intense, sorrowful and thrilling

Nerkonda Paarvai (Direct gaze) will naturally make us reminisce Pink of which it is an official remake. It is, of course, focussed and strongly presents its case like Pink. But, it is also more detailed than the original. And it works big time. Director H. Vinoth has chosen to stay true to the actual storyline and doesn’t deviate from its core message. The film does emphasise the issue of consensual sex. It superbly exhibits the fact that a mere “no” suffices to convey a woman’s objection to sex no matter if she is a girlfriend or a wife or even a sex-worker. There’s one character that Vinoth has chosen to alter a bit to give the film a whole new outlook – the lawyer named Bharath Subramaniam (Ajith Kumar). A terrific actor like Amitabh Bachchan pulled off a stunner while playing a lawyer in Pink. The personal life of the lawyer was not explored in detail in Pink. Nerkonda Paarvai excels on that front.

We are not just concerned about the fate of the three women – Meera (Shraddha Srinath), Famitha (Abirami Venkatachalam), and Andrea (herself) – who have been wrongly charged for soliciting young men and causing fatal injury to one of them. There’s also a good-old-days of Bharath. We are strongly attached to this character. We wear a smile on our faces looking at his happier days and also feel for his loss. (Vidya Balan is impressive as the wife of Bharath in her brief stint).

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Source: Zee Music South | YouTube

This is Tamil Cinema and ‘star’ factor matters a lot. Once again, Ajith and his love for cars and bikes can be seen that would delight a lot of his fans. Some stylishly shot scenes where Ajith rides a bike on high speed or removes the dust-covered cloth from his four-wheeler to take it out for a drive look wonderful. We also see him mentioning Formula-1 racing. Ajith also brilliantly brings out two sides of Bharath character – Subdued and Intense. There is a fight sequence as well and Ajith looks heroic (This sequence may feel unnecessary and may also seem a bit too much. For instance, a Doctor warns a goon on phone that he has to be careful with Bharath’s indignation).

You can’t ask for a better casting than this. Ajith is fantastic and makes the Bharath character look fierce, powerful, concerned, helpful, loving and anguished. Shraddha Srinath and Abirami Venkatachalam, in particular, deliver impactful performances. The surprise package to me was Rangaraj Pandey in the role of a lawyer named Sathyamoorthy who goes up against Bharath.

Yuvan Shankar Raja’s music has its magic felt as well (Kaalam, sung by Alisha Thomas and Yunohoo, is the one to look out for).

The humiliation, stress, sorrow, sexual assault, harassment and molestation that the women in this story encounter shouldn’t happen to anyone. The film raises a voice in support of women who are subjected to cruelty. It highlights male dominance and the beliefs of considering women as the weaker sex. Most importantly, it addresses the misconceptions that many men have in regards to women, their mannerisms and their lifestyle. Nerkonda Paarvai is a perfect remake of Pink that is intense, sorrowful and thrilling.

‘Pink’ Movie Review: A gripping drama on consensual sex

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Source: Times Music | YouTube

Pink is one of the greatest courtroom dramas that you will ever see. It is focussed and heartrending.

You know how it is” says a male office boss with a sorry look. “Yes, I do know how it is” replies a crestfallen and shocked Falak (Such a brilliant performance by Kirti Kulhari in this role). A fake, indecent photo of hers has been doing the rounds in the whole office. She has felt greatly humiliated by this as she never did any of this sort in the first place. The scene showed how painful it is for a woman when she is wrongly accused. Pink is Director Aniruddha Roy Chowdhury’s answer to misconceptions that a lot of men have vis-à-vis women. The film is a masterpiece which shows what a woman goes through when she is harassed, molested, sexually assaulted, and is forced to accept the cruel world without raising questions. 

Pink is one of the greatest courtroom dramas that you will ever see. It is focussed and heartrending. It sarcastically explains women’s safety manual that has instructions on the Dos and Don’ts for the women so that men don’t get the false idea of their consent for sex. It’s Deepak Sehgal (A spellbinding performance from Amitabh Bachchan for this character), a lawyer, through which the film presents its case and that too with such perfection (Not to forget the arresting act by Piyush Mishra who plays a lawyer as well in this film). The film shows you how Deepak defends the case for three women – Minal (Taapsee Pannu’s fantastic act for this character makes you really feel the agony), Andrea (herself), and Falak – on whom the complaint has been filed stating that they solicited some men and ended up causing grave injury to one of them (The soliciting part is so tremendously portrayed that it hurts you to see these women being shown in a wrong light).

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Source: Times Music | YouTube

The film highlights a male chauvinist society where women are made the scapegoat in a lot of problems. (Falak’s unsympathetic boyfriend presumes that Minal is a girl of questionable character. In response, Falak, with utter sadness, says that she hoped to receive some warmth from him and not advice.) The film shows that there are men who still consider women as weaker sex (A guy, in a cafeteria, says to Falak, “Tum vaise bhi ladki ho” (You are anyway a woman)). It also hurts you when Pink makes you realise that even a “natural human behaviour” of women is perceived wrongly by some men. Or, even her choice of living with her friends and not with family is put under the scanner.

But again it goes without saying that this world is also replete with good people. There are male characters in the film who stand as a pillar of support to these women in times of distress. Andrea’s boyfriend comforts her and applauds her for being “brave”. The landlord Kasturilal (Vinod Nagpal) remains supportive to these women and never doubts them.

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Source: Times Music | YouTube

With so many different layers in the film, you never actually get to see the sexual assault incident happening until the closing credits. But the incident is talked about with such intensity that just imagining it makes you feel pity for the girls who suffered. The music does its trick too to match the mood of the film (Kaari Kaari song, in the composition of Shantanu Moitra, sung by Qurat-ul-Ain Balouch, comes twice in the movie and blends beautifully well with the emotional scenes).

When I first watched the film back in 2016, I felt that the importance of the film and its relevance to the real-world situation was sky-high. I watched it again recently as a Tamil remake of this movie – Nerkonda Paarvai – thronged the theatres last week. Pink still felt so fresh and riveting. This story demands such a remake. It needs to be told in different languages. Pink is not just a great story on consensual sex where a simple “no” from your girlfriend, wife or even a sex-worker forbids you from having sex with them. But it is also told in a way that it engrosses you, thrills you and astonishes you all at the same time.