Nerkonda Paarvai is a perfect remake of Pink that is intense, sorrowful and thrilling
Nerkonda Paarvai (Direct gaze) will naturally make us reminisce Pink of which it is an official remake. It is, of course, focussed and strongly presents its case like Pink. But, it is also more detailed than the original. And it works big time. Director H. Vinoth has chosen to stay true to the actual storyline and doesn’t deviate from its core message. The film does emphasise the issue of consensual sex. It superbly exhibits the fact that a mere “no” suffices to convey a woman’s objection to sex no matter if she is a girlfriend or a wife or even a sex-worker. There’s one character that Vinoth has chosen to alter a bit to give the film a whole new outlook – the lawyer named Bharath Subramaniam (Ajith Kumar). A terrific actor like Amitabh Bachchan pulled off a stunner while playing a lawyer in Pink. The personal life of the lawyer was not explored in detail in Pink. Nerkonda Paarvai excels on that front.
We are not just concerned about the fate of the three women – Meera (Shraddha Srinath), Famitha (Abirami Venkatachalam), and Andrea (herself) – who have been wrongly charged for soliciting young men and causing fatal injury to one of them. There’s also a good-old-days of Bharath. We are strongly attached to this character. We wear a smile on our faces looking at his happier days and also feel for his loss. (Vidya Balan is impressive as the wife of Bharath in her brief stint).
This is Tamil Cinema and ‘star’ factor matters a lot. Once again, Ajith and his love for cars and bikes can be seen that would delight a lot of his fans. Some stylishly shot scenes where Ajith rides a bike on high speed or removes the dust-covered cloth from his four-wheeler to take it out for a drive look wonderful. We also see him mentioning Formula-1 racing. Ajith also brilliantly brings out two sides of Bharath character – Subdued and Intense. There is a fight sequence as well and Ajith looks heroic (This sequence may feel unnecessary and may also seem a bit too much. For instance, a Doctor warns a goon on phone that he has to be careful with Bharath’s indignation).
You can’t ask for a better casting than this. Ajith is fantastic and makes the Bharath character look fierce, powerful, concerned, helpful, loving and anguished. Shraddha Srinath and Abirami Venkatachalam, in particular, deliver impactful performances. The surprise package to me was Rangaraj Pandey in the role of a lawyer named Sathyamoorthy who goes up against Bharath.
Yuvan Shankar Raja’s music has its magic felt as well (Kaalam, sung by Alisha Thomas and Yunohoo, is the one to look out for).
The humiliation, stress, sorrow, sexual assault, harassment and molestation that the women in this story encounter shouldn’t happen to anyone. The film raises a voice in support of women who are subjected to cruelty. It highlights male dominance and the beliefs of considering women as the weaker sex. Most importantly, it addresses the misconceptions that many men have in regards to women, their mannerisms and their lifestyle. Nerkonda Paarvai is a perfect remake of Pink that is intense, sorrowful and thrilling.