The didactic narrative is something that prevailed throughout this series.
The series has a superb premise. Two different wedding planners are presenting their ideas of organising the wedding to a rich, affluent family to try and please them with their creativity and sign the deal. While one of them tries to woo the family with taglines like “new age royalty”, the other company called ‘Made In Heaven’ uses love and relationship as part of their efforts to bag the deal. Tara (Sobhita Dhulipala) and Karan (Arjun Mathur), representing Made In Heaven, say that the wedding is a “once in a lifetime event”. They, further, add that wedding ceremony “should celebrate the couple” and “the theme should tell their story”. Tara and Karan do go on to impress the family and end up signing the contract. Amazon Prime Video’s Made in Heaven, a web series comprising 9 episodes, is about how Tara and Karan confront complicated situations while organising wedding ceremonies and at the same time how they deal with the problems in their own life.
It is great to see different sorts of weddings being planned and I liked how a progressive and regressive mindset was being highlighted. But the depiction of challenges associated with the weddings was stretched to an extent that they seemed preachy. For instance, there’s a guy who has no problem knowing that his fiancée is not a virgin. But the complication that arises due to his parents’ disapproval takes too long to establish a conclusion. A guilty conscience starts hurting a girl, in another instance, who has slept with another man when she is already about to get married. This, again, I felt, was protracted to a point that it seemed draggy.
It resorts to teaching us some of the important issues instead of making us realise them ourselves. Karan, who is a gay, emotionally declares that “this is who I am”. We, further, get to hear dialogues like “there’s nothing wrong with being gay” and “it’s natural”. (An aged man confesses his attraction towards men when he says that he has lived his whole life in pretence. This was much more impactful where you really feel bad for that guy without having to hear in-your-face dialogues). In another scene, a group of male workers initially turn down the order given by a woman. Here, the reaction of those workers itself was enough to understand why they didn’t obey her order. But, later, these workers explain that they are not going to take orders from a ‘woman’. This did serve the purpose of depicting the ugly mentality of those male chauvinist guys but when it resorted to explanation, thinking that it might go unnoticed, it took the sheen away. Take Netflix’s Soni, for example, which subtly exhibited the sufferings of women in a male-dominated society. Even Pariyerum Perumal, one of the greatest Tamil films ever made, portrayed the divide in the society in the name of caste but never really tried to educate us through moralising dialogues and the protagonist’s anguish and agony were enough to make us feel the sufferings.
Although the didactic narrative is something that prevailed throughout this series, the performances of all the cast members were terrific. Even a cameo by Vijay Raaz was powerful.
There were little things that were non-didactic and yet were represented brilliantly. I wished the series remained so in the entirety. A father defends his son being gay in front of a throng of media persons. A mother’s disappointment is clearly visible when she excitedly asks “how’s food?” and all she gets in return is “just as it always is”. A girl looks at a syringe on the floor and slips it under the bed and the camera turns right to show her brother sleeping in his bed depicting that he is a drug addict.
Scenes involving sex were both lusty and realistic. Some of them even showed the ‘other’ side of the picture which is not usually represented in Indian movies and series (A man, while kissing Karan, asks him if he wants to marry him). And some even brought out the harsh realities (A minor girl gets raped by a rich, older man but she accepts the money from him to stay silent about it).
Tara’s character brings out the poignant feeling but her strained relationship with her husband (Jim Sarbh) has been stretched for far too long.
Nevertheless, Made in Heaven remained a wearying watch.